The Secret Beneath the Mafia King’s Mattress

Chapter 25

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"And he kept them where, in this palace of his?" A crack showed in the evenness, and through it came something younger than twenty-nine years. "Under his mattress," June said. "All this time. Where he sleeps."

Anna Lawson put her hand flat on the envelope at last, as if testing whether it was warm. "Well," she said. "That's either the most devoted thing I've ever heard, or the most cowardly. I suppose he sent you to tell me which."

"No," June said. "He sent me because I'm the only person he knows who'll tell you it's probably both."

Chapter 25: Anna Reads

Anna did not open the envelope for a long time, and June did not fill the time, because some silences are not empty and a woman who talks into them is just making noise at a graveside.

They sat in the corner of the hospital café with the envelope between them like a third person waiting to be introduced. Anna's shift was over; her badge said LAWSON, A., RN, with a small enamel frog pin beneath the plastic — the kind of thing a nurse wears because one particular child had needed her to be a person, not a procedure. Twice she looked toward the doors, checking that the ordinary world was still on duty out there.

"You can go, you know," Anna said. "Whatever he told you about staying. I've received bad news from professionals; I can receive it from paper unsupervised."

"He asked me to stay while you decide," June said. "Not while you obey. But I carried it two hours, and I'm not leaving it on a table like a flyer."

Something in that reached her — the plainness, maybe, or the refusal to dress any of it up. Anna's mouth did the thing June had seen Vittorio's do, the movement that was almost a laugh and nowhere near one, and it went through June like a draught: the mouth had been inherited entire.

"God," Anna said. "You sound like Mom when the rent was due. Fine. Stay. Witness protection, but for feelings."

She slid the letter out. Four pages, cream, the first line visible as she unfolded it — *My dear Anna* — and June looked down at her own hands with the discipline of a woman defusing something, because the letter was not hers.

Anna read the way nurses read charts and the way her father read rooms: completely, once, without expression. At the third page her pace changed — slowed, snagged, went back half a page and forward again. At the fourth page her free hand came up and pressed flat against her sternum, over the frog pin, and stayed there, and she finished the letter with her hand like that, and set the pages in an exact pile, and squared them against the table's edge. Edge to edge. Like her father with a card on a blotter.

Then she picked them up and read the whole letter again.

The second reading was slower and it was not for information. Anna read the second time the way you walk through a house you used to live in, touching the doorframes. Once she made a sound that she converted, with a nurse's efficiency, into a breath through her nose.

When she finished she laid the pages down and did not square them, and the small disorder of it told June more than tears would have.

"Well," Anna said. Her voice was steady the way ice is steady. "He writes beautifully. He should, after twenty-nine years of practice."

"I've seen the envelopes," June said. "Not the letters. Yours is the first one anybody was meant to read."

"He explains the night we left. The card, the bullet, the car. He explains my mother's line — *let her hate a ghost*. He says—" She stopped, and chose her next words like instruments off a tray. "He says the choosing after was his. He says that part twice, in different words, like a man paying a bill in two currencies to make sure it counts. I didn't expect that part. This—" she touched the pages, "—this has him choosing every year, and knowing it, and writing me a letter about the garden instead of coming to see it."

"Is it." Anna's gaze came up, Celeste's eyes, Vittorio's level aim. "Here's my problem, June Calloway, night housekeeper, road traveled on. This letter is addressed to a woman he invented. But he has been writing to her since I was one year old, and she has never once had the flu, or failed an exam, or married wrong. She's an idea with my name on the envelope. A beautiful, guilty, well-written idea." Her hand was still flat on her chest. "He mourned her for thirty years. I can see that. What I cannot see — what this does not prove — is that he ever remembered *me*. The actual child. Not the loss. Not the symbol. The kid."

The café hummed. Somewhere a child laughed at an orderly's balloon glove — a world where children were present tense.

"What would prove it?" June asked.

"Something he couldn't have gotten from a photograph or a report from your Benny. Something only a man who was *there* would carry. Anybody can miss an idea for thirty years. It's clean work. I want to know if he remembers the child with the crayons and the opinions, or if I've just been the most beautiful locked room in his house."

June thought of the grey folder in her bag on the chair beside her, tied once with string. *If she takes the letter and asks for the child — give her the child.*

"He kept something else under the mattress," June said. "Not with the letters. On top of them. A drawing you made the year before you left — a house with too many windows, a sun like a wagon wheel. A tall man with a crown, and a little girl holding his hand with both of hers. You signed it *for Papa*, in letters that fell over." She reached down, slowly, so the motion could be refused, and untied the string, and laid the drawing on the table. "He remembers the child, Anna. He's been sleeping on top of her drawing since you were four years old. That's either proof, or it's the strangest forgery in Louisiana."

Anna looked down. For the first time since she had sat down, her composure did not crack so much as leave her, all at once. She put both hands to the edges of the drawing and did not lift it, only held it there on the table, and her shoulders moved once.

"I remember the sun," she said, in a voice June had to lean in to hear. "I remember being angry it wouldn't stay in the corner." She laughed then, wetly, furiously, like her mother must have. "I don't remember him at all — and he remembers the sun wouldn't stay in the corner."

"He never claimed otherwise," June said softly. "Not in anything he sent me to say."

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The Secret Beneath the Mafia King’s Mattress

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