The Red Porsche in My Driveway: The Tow Truck's Secret

The Red Porsche in My Driveway: The Tow Truck's Secret

Chapter 28

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Chapter 28: Emma's Lesson

Emma got her learner's permit on a Saturday in September, and she carried it in her wallet the way people in movies carry photographs of sweethearts — taken out twice a day just to confirm it was real. Sarah drove her to the practice lot behind the high school for six straight weekends. Mike was invited, formally, on the seventh, after a negotiation Emma conducted with her mother's help and a frankness that left him no ground to stand on.

"You hover, Dad," she said. "You hovered over my math homework for nine years. Mom says you may ride along when you can be a passenger and not a second steering wheel."

He sat in the back seat of the family car with his hands folded like a man in church and said nothing for forty minutes, which Sarah later testified was a personal record. Emma drove the lot in long ovals. She was careful the way new drivers are careful when carefulness is still a decision and not a habit — narrating under her breath, checking mirrors that showed her nothing but empty asphalt and her own father's reflected, suspiciously quiet face. When she finally rolled to a stop, dead center in a painted box, she turned around with the gravity of a pilot announcing a landing.

"Acceptable?" she said. "Emma," Mike said, "that was beautiful," and meant it so completely that his voice went strange, and she looked at him and laughed and said, "You're not allowed to cry about parking, Dad." She knocked over one cone that morning, backing out of a space, and got out to stand it up herself before either of them could move, because Sarah had raised her to leave a place the way she found it. "I'm not crying about parking," he said. "I'm crying about time. Totally different."

The real lesson, though — the one Maple Court would tell back to itself all winter — happened at home, in November, on the driveway. Sarah had a late meeting at school, and Emma drove them back from the library in the blue dusk with Mike riding shotgun, really riding this time, hands still, commentary off. The street was empty. The garage door was up, the shop lights warm, Marcus's bicycle leaned by the bench. And ahead of them, the apron: their own concrete, swept, with the two white lines Mike had painted years ago, repainted twice since, marking where a car could sit and leave room for the work of the house to go on around it.

Emma slowed. The whole street had history with that apron. A year and a half ago there had been a red Porsche on it nearly every morning of her sophomore spring, and a stranger's boxes stacked by the fence, and her father's jaw set in a way she never wanted to see again. She lined the car up the way Sarah had taught her — early, slow, correct once rather than fix twice — and the tires whispered over the concrete seam, and she stopped, put it in park, set the brake, and sat with her hands still on the wheel, checking before anyone could tell her.

Years ago he had painted those lines with a yardstick, a chalk line, and a toddler on his shoulders 'helping,' and Emma had no memory of it, which was how he knew it had worked. The paint had outlasted the toddler. That was the point of paint, and of fathers. "Well?" she said. Mike got out and walked around the car, the whole way around, like an inspector, like a judge at a fair. The car sat exactly between the lines — not close, not generous, exact — with room on the driver's side for the door and room on the passenger's side for a man with a toolbox and a whole life's habit of passing through. He came back to her window. She rolled it down with the ceremony of a queen receiving a verdict.

"Centered," he said. "Textbook. Your mother teach you that?" "Mom taught me the driving," Emma said. "You taught me the lines matter." He stood there a moment in the cold blue light with his daughter looking up at him through the open window of the family car, parked square and honest in the middle of the most argued-over piece of concrete in the county, and he thought: this is what it was all for. Not the trial. Not the story. This. A kid coming home at dusk and putting the car where it belongs.

Marcus came out of the garage wiping his hands and whistled, low and approving, and Emma accepted the whistle as her due. Sarah pulled in behind them ten minutes later and parked her own car beside Emma's, neat as a second signature, and the three of them went in to supper with the driveway full of exactly the cars that belonged on it, and not one inch of wasted space anywhere.

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The Red Porsche in My Driveway: The Tow Truck's Secret

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