The Girl in the Snow: Seven Hundred Riders Came Back

The Girl in the Snow: Seven Hundred Riders Came Back

Chapter 7

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I was seven the year we stopped being Halloways.

I didn't know that was what happened. Seven-year-olds don't get briefed. What I got was a Tuesday in October where I came home from school and the house was full of boxes and my mother was wrapping dishes in newspaper, moving like the house was on fire in slow motion. She said we were going on an adventure. She said Daddy got a new job far away. She said I could bring the blue blanket and two books, and I should choose like I meant it.

We drove for two days. I remember truck stops and a motel with a closed pool and how my father kept the radio off and both hands on the wheel, like a man in a driver's test that never ended. In Wyoming there was a house with a yard that sloped and a mailbox that said a name on it I had to practice. I had to practice it at the kitchen table. Say it again. Say it like you've always been her. My mother made a game of it. She was good at making games out of terrible things. That was her whole talent and her whole curse.

The new name was fine. I want to be clear about that. Childhood is childhood wherever they set it down. I had a bike with a bent fender. I had a best friend named Callie who lived across the road and whose father raised goats. I lost teeth, I broke my wrist on a hay bale, I learned to swim in a reservoir the color of tea. If you'd asked me at ten whether I was happy, I'd have said yes and meant it.

But the house was quiet in a way other houses weren't. We didn't have people over. We didn't go to other people's houses either — my parents were friendly across fences and in grocery aisles, and that was the whole depth of it. Photographs did not get taken in our yard. My father's name never went on anything that wasn't required by law, and some things that were, he argued about at the kitchen table after I'd gone to bed. I learned early that certain questions had a weather to them — you could feel the room change when you got near them — and I learned not to ask, the way you learn not to touch a stove. Not because anyone forbade it. Because my mother's face did something when I asked, something she'd have paid money to hide from me, and even at nine I knew what it cost her.

I asked exactly once. I was twelve. A girl at school had a project — family trees, the cruelest assignment ever handed to children — and I came home and asked where Dad was from, and who his people were, and my mother sat down and was quiet a long moment.

Then she said the sentence. I have carried it, word for word, the way you carry a stone in your pocket until you forget it's making the pocket sag.

"Your father testified against a bad cop. We don't say more."

That was it. That was the entire archive. She got up and started supper. I did my family tree with her side filled in bright and full — cousins, a grandmother in Ohio, a great-uncle who'd played ball — and my father's side one name deep, a stump of a tree, and the teacher gave me an A and never knew she'd graded a crime scene.

Dad died when I was sixteen. I was told it was a car accident, on an interstate, in weather, quick. Every word of that may even have been arranged to sound ordinary, because ordinary was the safest costume our family owned. There was no viewing. There was a closed casket and a small service with people I didn't recognize who didn't introduce themselves, and my mother standing very straight in a black dress she'd bought, receiving condolences like a woman accepting packages she hadn't ordered.

Three years later she was gone too — her heart, in her sleep, forty-nine years old — and the truth went into the ground with her, all of it, every fact she'd carried alone for a decade so that I could have a bike and a reservoir and a friend with goats. She carried it the way she'd wrapped those dishes: fast, thorough, and like the house was burning.

I went back to Montana at eighteen with a duffel bag and the name Halloway, because it was the one true thing I owned. I didn't know what it meant. I just knew it was mine.

It took a ditch, a burning bike's grandson of a wreck, and a man in Room 214 with pins in his leg to tell me what my own name had been doing all those years.

It had been hiding me. And it had been waiting.

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