Altrove had been chosen the way men like Tony Russo choose everything: slowly, and by elimination. No Russo room, no Bianchi room, no priest's hall, no politician's club with a back stair nobody could vouch for. A restaurant on a quiet street off Rittenhouse, all linen and low light, which took money from anyone and allegiance from no one. Neutral ground. Tony had walked it himself three days earlier, alone, at four in the afternoon, the way he had once walked job sites and other men's weddings β noting the doors. Two entrances. One service corridor. A kitchen window too small for a man. He had approved it the way he approved very little anymore: by finding nothing to object to.
Now it was full, and nothing about it was empty at all.
Twenty years of feud sat down to dinner at seven o'clock. Twenty years of funerals, of burned warehouses and boys who did not come home from errands they should never have been sent on, of weddings where one family's name could not be spoken. Twenty years, and it had come down β as everything in Tony Russo's world eventually came down β to a table, and to whether two old men could eat at it without reaching for anything sharper than a fork.
Emilio Bianchi came in first, because he was seventy and owed no one the courtesy of suspense. A narrow man in a beautiful suit, white-haired, with a face like a cliff that weather had given up on. His son Stefano walked half a step behind him β thirty-eight, dark, watchful, a lawyer's mind in a gambler's body. They took their seats with the care of men defusing something.
Tony arrived at seven-oh-four, because he was fifty-six and had not been early to anything since his mother's funeral.
He came through the main door with Paulie Greco at his shoulder β Paulie, who had driven him for thirty years and said perhaps four hundred words in all that time, every one of them necessary β and with Vic at his other side. Vic Russo, his cousin, his consigliere, fifty-two and dressed like the best-dressed man at someone else's trial. Vic smiled at the room. Vic always smiled at rooms; it was how he read them.
Tony did not smile. He stood a moment inside the door and let the room arrange itself around the fact of him. He was not a large man, but rooms had been rearranging themselves around Tony Russo since he was twenty-six.
"Anthony," Emilio said, rising. Rising was a concession. Both men knew it. "You look well."
"Emilio. Sit down before your knees file a complaint."
A sound went around the table that was almost a laugh, and the temperature of the room dropped half a degree toward survivable.
They sat. Eighteen men, nine and nine, doors closed, staff sworn, the street outside pretending not to watch. The agreement on the table that night was not paper β paper would come later, at a second dinner, if this one ended with everyone alive. Tonight was the prerequisite: two families demonstrating, course by course, that they could behave like the thing they were pretending to become. Businessmen.
Tony had agreed to it for one reason, and the reason was arithmetic. The feud cost more than it earned now: lawyers, seized product, young men burying each other instead of building anything. Tony had tended his father's garden thirty years because tending it was the job. But he was fifty-six, and some nights he stood in his own kitchen at two in the morning β a kitchen where no one had cooked a real meal since before his daughter stopped calling β and did the arithmetic, and the arithmetic said: end it.
Anna would have laughed. Anna, his daughter, a doctor in Pittsburgh, who had left at twenty-one and built a life out of scalpels and distance. Your father's peace, she would have said, brought to you by bookkeeping. Tony had not spoken to her in eleven months.
The antipasti came. The wine came, poured by a sommelier whose hands did not shake, which Tony noted and respected. Toasts were made in the old language, carefully β to health, and to the dead. All the dead, unspecified; the only way that toast could be drunk by everyone at the table.
Under it all, Tony was aware of the thing he was always aware of in rooms he did not own: the food was being cooked by strangers.
He trusted nothing he had not cooked himself. It was not a philosophy; it was scar tissue. A man in his position learned early that the table was the one border that could not be guarded. You could vet a driver, search a guest, sweep a room for wires β but a plate came out of a kitchen on a stranger's arm, and you put it in your mouth on faith, and faith was a currency Tony Russo had stopped carrying in 1989. He cooked his own food at home, plainly, at his own stove in the small hours: eggs, toast, pasta boiled too long because he liked it that way and answered to no one. He had not eaten a meal cooked by another person's hands with any pleasure in thirty-seven years. He ate carefully, and little, and remembered nothing.
"You're not eating, Anthony," Emilio said, not unkindly, midway through the fish course.
"I'm savoring, Emilio. It's a lost art. Your generation rushed everything."
"My generation invented patience. We just spent it all on funerals."
That got the laugh, a real one, and Stefano smiled down at his plate, and for a moment the room was almost what it was pretending to be.
In the kitchen, though none of them knew it yet, the evening had begun to go wrong. The fish course had stretched against the delays of diplomacy, and the veal β the main course, planned for weeks, the chef's signature, the dish the dinner had been built around β had been held too long and had turned, quietly and completely, in its pans. Chef Aldo Ferraro stood over it with a face the color of skimmed milk, tasting, tasting again, understanding that he was looking at the end of his restaurant and possibly more than his restaurant.
Behind him, at the small stove in the corner where the staff meal simmered for the cooks and waiters who would eat standing up at midnight, a pot of ragΓΉ was doing what it had done every day that week β because the new sous-chef, hired six days ago, cooked her grandmother's sauce for the staff the way other people said grace: automatically, and without asking anyone's permission.
Aldo looked at the veal. He looked at the pot. He thought about the eighteen men behind the door, and what they did to people who disappointed them.
Then he reached, with the steady hand of a man stepping off a curb into traffic, for the clean bowls.
Chapter 2: One Bite