GIVE ME A MINUTE

Chapter 14

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Zara woke with a gasp, her back slamming against the brick wall behind the dumpster. Her heart hammered against her ribs. For a moment she didn't know where she was — the hallway, the diner, the street — and then the cold air filled her lungs and she remembered. Six months. It had been six months since the night she stood in that hallway with a broom handle in her hands.

She lay still for a long time, breathing hard, letting the alley reassemble itself around her: the drip of the pipe, the smell of garbage, the thin light from the diner's vent. The dreams had been coming more often since the demo — or maybe she just noticed them more now, the way a cut throbs worse once someone asks you about it. In the dream her hands were always twelve years old, too small for the broom handle, and Trey's voice was always breaking, and Mr. Gaines's footsteps never, ever stopped.

*You touch him again and I'll make you sorry.* That's what she'd said. She'd been twelve.

Mr. Gaines had laughed. Then he'd backhanded her so hard she saw stars. Then he'd called the agency. *Violent. Unmanageable. A danger to the other children.* The caseworker hadn't asked for Trey's version. The caseworker had looked at Zara's split lip and the bruise blooming on Mr. Gaines's cheek — where the broom handle had caught him — and made her decision.

Zara sat up in the dark, hugging her knees. She had defended a little boy, and the system had thrown her away like garbage. That was the arithmetic of her life. She had done the math a hundred times and it never came out different. Two years in four houses, and every lesson had been the same: the adults decided, and the kids absorbed, and nobody ever asked what the numbers added up to from the inside. She pressed her forehead to her knees and waited for her breathing to slow, and she thought of Trey the way she always did when the dream left her — not as the crying boy in the hallway, but as he had been on good afternoons, sitting on the porch steps drawing dinosaurs in chalk, narrating their battles in a whisper so Mr. Gaines wouldn't hear. *The T-rex always wins,* he'd told her once, dead serious. She hoped he was still winning. She hoped somebody was letting him draw.

Across the city, in a penthouse office that overlooked the sleeping skyline, Richard Hawthorne sat at his desk at 3 a.m. with a file folder open in front of him. He had not told anyone what he was doing. He had called in favors he hadn't used in years — a friend at the county office, a former investigator who owed him — and now the folder lay open under the lamplight.

*Zara Williams. DOB: March 8. Age 13. Foster care history: four placements in five years. Current status: AWOL from system. Last known placement: terminated.*

His eyes moved down the page, and his jaw tightened.

*Reason for termination: physical altercation with foster caretaker Robert Gaines. Notes: subject intervened to protect younger foster child (Trey, 9). Caretaker has two prior complaints on file — unsubstantiated.*

Hawthorne read the line three times. Then he closed the folder and pressed his palms against his eyes.

The office was silent except for the faint hum of the air system and the low wash of traffic forty floors below. On the desk, beside the folder, lay a printed photograph someone from his team had pulled from the viral coverage: Zara at the demo, her hoodie too big, her eyes enormous, her hand raised beside the car. Thirteen.

A thirteen-year-old girl had thrown herself between a grown man and a nine-year-old boy, and the world had punished her for it. He thought of himself at that age, safe in his father's garage, handing his dad wrenches. He thought of the words he had spat at her by the fence — *street rat, gutter trash* — and something inside his chest cracked open like ice on a lake.

He picked up the phone and dialed his head of security. "Find Robert Gaines," he said quietly. "And find the boy. Trey. I want to know where he is, and I want to know he's safe."

"Sir?"

"You heard me." Hawthorne stared out at the dark city. "And not a word to the press. Not yet."

He set the phone down and stood at the window for a long time, watching the lights of the sleeping skyline blink and breathe. Somewhere out there — he didn't know where, and that was the part that kept him standing there — a girl who had done the bravest thing he'd ever witnessed was sleeping behind a dumpster. The thought was obscene. It sat in him like a stone in a shoe, and he knew he would not sleep again until he had done something about it. Not a press release. Not a donation with his name on it. Something real. He just didn't know yet what that was.

Chapter 15
The Interview

Denise Cole had covered wars, elections, and corporate fraud. She had interviewed presidents and criminals and once, memorably, a man who claimed to be the reincarnation of a 19th-century lighthouse keeper. But she had never been nervous before an interview until the morning she walked into the small conference room at the downtown shelter and saw Zara Williams sitting at the table, small and straight-backed, her notebook placed neatly in front of her like a shield.

The shelter smelled of industrial cleaner and old coffee, and the fluorescent light buzzed faintly overhead. Through the narrow window, Denise could see a parking lot and a strip of gray sky. She had done this a thousand times — sat down, smiled, set the recorder between them like an offering. But her hands felt clumsy this morning, and when she looked at the girl across the table, really looked at her, she felt the strange vertigo of being in the presence of someone who had already survived everything she herself feared. Zara's hoodie was clean now, borrowed from the shelter's donation closet, but her eyes were old in a way Denise had only ever seen in war zones.

"Thank you for talking to me," Denise said, setting down her recorder.

Zara shrugged. "Nobody ever asked before."

The interview lasted two hours. Denise asked about the car, about the tower, about the sixty seconds that had changed everything. Zara answered plainly, without drama, the way she did everything. She described the glitch log in her notebook — dates, times, durations — the way other kids might describe a diary. When Denise asked how she had known about the harmonic frequencies, Zara said simply that she had read about radio interference in a library book about aircraft, and then she had watched, and the watching had done the rest.

"I just watched," she said. "That's all. People don't look at girls like me, so I get to see everything. I wrote down every time the car glitched. The times matched the tower tests. It wasn't magic. It was just paying attention."

"Most people don't pay attention like that," Denise said.

"Most people don't have to," Zara replied. "When you're invisible, watching is all you've got."

Denise leaned forward. "What do you want people to know about you, Zara?"

Zara was quiet for a long moment. She ran her thumb along the frayed edge of her notebook. The conference room clock ticked. Somewhere down the hall, a door closed softly, and a woman laughed — the ordinary, unremarkable sound of the shelter going about its day. Zara looked at her notebook the way a soldier might look at a medal nobody had pinned on her yet, and when she finally spoke, her voice was very small and very sure. "I want them to know I didn't disappear," she said finally. "The system threw me out and everybody acted like I was gone. But I was right there. Behind the fence. Watching. I'm still right here."

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GIVE ME A MINUTE

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